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All Music Department graduate students receive tuition scholarship and a 12-month stipend for the full five years of the program. She also won The Dena Epstein award from the Music Library Association (1999), the ASCAP Deems Taylor Award (2006) for her article on Aaron Copland’s film score for, Bick has published in a variety of forums including. Recent highlights include tours of Australia, Brazil, Colombia, and New Zealand with the EnsÅ String Quartet and appearances as a soloist on concertos by Giya Kancheli, Kurt Rohde, and Tan Dun, the latter of which with the composer at the podium. *Member of the Graduate Faculty SCHOOL OF MUSIC FACULTY Other Penn State Locations. in Composition from the Yale School of Music. Previously a theatrical sound designer, she blends forms into an aesthetic of narrative soundscape composition, radio opera, and improvisation. email@example.com Phone: 203 432-1683 : Manon Garcia Asst Prof Philosophy (beginning July 2021) firstname.lastname@example.org Website: Tamar Gendler Dean of the Faculty of Arts and Sciences; Vincent J Scully Professor of Philosophy, Prof Psychology 1 Hillhouse Ave., New Haven, CT 06511 email@example.com Phone: 203 432-6087 : Daniel Greco Tutschku has composed music for film, theatre, and ballet as well as instrumental and electroacoustic music. She received the Society for Ethnomusicology Jaap Kunst Prize in 2010 for her article, âThe Power of Silent Voices.â Shelemay received an Award for Distinguished Teaching from the Columbia University School of General Studies in 1982, and at Harvard, the Joseph R. Levenson Memorial Teaching Prize and the Phi Beta Kappa Teaching Prize, both in 2006, and the Everett Mendelsohn Excellence in Mentoring Award in 2014. Paul Corneilson Kajikawaâs writings have appeared in American Music, Black Music Research Journal, ECHO: a music-centered journal, Journal of the Society for American Music, and Popular Music and Society, among others. Bick was an inaugural member of Royal Society’s New College of Scholars, Artists and Scientists in Canada in recognition of her academic work (2014). Rehding has been named an Affiliate of the Department of Germanic Languages and Literature and an Associate of the Center for European Studies and the Center for the Environment. She co-edited Music Theory and Natural Order from the Renaissance to the Early Twentieth Century (Cambridge University Press, 2001; pbk 2005) with Alexander Rehding, and co-edited Citation and Authority in Medieval and Renaissance Musical Culture: Learning from the Learned (Boydell & Brewer, 2005) with Elizabeth Eva Leach. Selected Works: Soliciting Darkness: Pindar, Obscurity, and the Classical TraditionÂ (Harvard, 2003).Â Music, Madness, and the Unworking of LanguageÂ (Columbia, 2008) [German translation:Â Musik, Wahnsinn und das AuÃerkraftsetzen der Sprache, trans. His concert works are published by Schott Music. Born into a musical family in Camaguey, Cuba, Yosvany Terry went on to classical music training in Havana at the prestigious National School of Arts (ENA) and Amadeo Roldan Conservatory. Faculty members hold doctoral degrees in musicology from Cornell University, Duke University, and Yale University. In addition to receiving professional training in music, students are encouraged to participate in the rich intellectual life of the entire University and to develop and pursue interests in area… Staff Their co-authored book, entitledÂ Music from Earth: Alien Listening and Voyager’s Golden RecordÂ will be published by Zone Books in 2020. Also: Copland and his World (Princeton); Colin McPhee: Composer in Two Worlds (Smithsonian); A Celebration of American Music: Words and Music in Honor of H. Wiley Hitchcock (University of Michigan); and American Music Recordings: A Discography of 20th-Century U.S. Composers (Institute for Studies in American Music). He currently serves as co-editor of âTracking Pop,â the University of Michigan Pressâs series of books about popular music, and as a senior editor for Oxford Handbooks Online. At Westminster, you will learn American and public musicology from our distinguished faculty of renowned musicians, as well as professional public musicologists from such prominent institutions as the Rock ‘n Roll Hall of Fame and Museum, the New York Philharmonic, the New Jersey Symphony, the Alice Paul Institute and the Oral History of American Music Institute at Yale University. Andrea Dortmann, (GÃ¶ttingen, 2011) -Â link. Ingrid Monson is Quincy Jones Professor of African American music, supported by the Time Warner Endowment.Â She is a noted jazz scholar and ethnomusicologist with a lifelong interest in the relationships among music, race, aesthetics and politics. Rehding’s teaching and research has focused on 19th-century European concert music (mostly Beethoven, Liszt, and Wagner), including such issues as nationalism, cosmopolitanism, and cultural transfer; History of music theory (ancient Greece, Rameau, Riemann, Helmholtz). An active pianist, recording artist, bandleader, composer, improviser, and scholar, he has has released twenty-three albums of his original music on ECM Records, ACT Records, Sunnyside Records, Savoy Music, Pi Recordings, Artist House, and Asian Improv Records. She is presently Editor-in-Chief of Oxford Bibliographies in Music and Chair of the Program Committee for the Quinquennial Congress of the International Musicological Society, to be held in Athens in 2022. His recent honors include the Doris Duke Performing Artist Award, a MacArthur Fellowship, a United States Artist Fellowship, the Alpert Award in the Arts, and the Downbeat Critics' Poll award for Jazz Artist of the Year in 2016, 2015, and 2012. At the undergraduate level, she has taught courses on Tonal Analysis (MUS 151), Tonal Counterpoint (MUS 156), Theory II: The Classical Style (MUS 150a), and the Sacred and Profane in the Thirteenth-Century Motet (MUS 191r). She has been a guest professor in a number of institutions, and has taught at the International Summer Course for New Music at Darmstadt since 1990. During 2015-2016, she was the Marta Sutton Weeks Fellow at the Stanford Humanities Center. From 1998-2002 he served as Assistant Conductor of the Boston Symphony Orchestra under Seiji Ozawa. Connecting the question of nature with contemporary concerns, Rehding has delved into Ecomusicology (and he may have inadvertently coined the term). Lecturer on Music / Resident Dean, Dunster House Mr. Kim started his musical education very early on, starting at the Juilliard pre-college in 1992. She has served on the editorial boards of Music Analysis and Music Theory Spectrum and is currently on the advisory board for Music Analysis. His compositions have been commissioned and premiered by American Composers Orchestra, Orpheus Chamber Orchestra, The Knights, International Contemporary Ensemble, A Far Cry, Bang on a Can All-Stars, The Silk Road Ensemble, Ethel, Brentano String Quartet, Imani Winds, So Percussion, and soloists Claire Chase, Matt Haimovitz, and Jennifer Koh. Rehding is a music theorist with a focus on intellectual history and media theory. Her book in progress deals with lesser-known sound-technological artifacts from the nineteenth and early twentieth centuries, and how they are used (and misused) to construct histories of human hearing and listening. A monograph on Beethoven’s Ninth Symphony appeared in 2017. *MAX ZORIN (M.Mus., Yale University). 1983-90 Professor of Musicology, Yale University. Associates His latest release, the GRAMMY Award-nominated âNew Throned Kingâ (5Passion, 2014), features music based on ArarÃ¡ cantos and rhythms and has been called the âmusical culmination of his spiritual explorationâ (All About Jazz). firstname.lastname@example.org Polina Dessiatnitchenko, Post Doc Fellow "Integration, Subversion and the Rape of Europa: Heinrich BÃ¶ll’sÂ Er kam als Bierfahrer,"Â Comparative LiteratureÂ 58 (2006): 387 â 402. A jury consisting of members of the Yale faculty, possibly augmented with professional musicians from outside the University, judges the performance and participates in the oral examination. The Interface of Biology and Culture (with Sarah Coakley), published by Harvard University Press in 2007. Books:Â Soliciting Darkness: Pindar, Obscurity, and the Classical Tradition. The Music Department is made up of 25 permanent faculty whose expertise ranges from sound studies to chant, Schubert to Schenker, the musics of South Asia and Ethiopia to contemporary improvisation, Global Pop, Musical Theater, and jazz. 1970-82 co-editor, Richard-Wagner-Gesamtausgabe, Munich. and University of Toronto (MusBac). Clark has performed prominent venues including Carnegie Hall, Lincoln Center, the Kennedy Center and Bostonâs Symphony Hall. A playlist of covers and original music written, performed and recorded by the students of our remote undergrad performance class in Fall 2020. Under his direction, the Radcliffe Choral Society won the Grand Prize and two gold prizes at the International Competition for Chamber Choirs at Petrinja, Croatia in 2012. Her prize-winning publications include Materialities: Books, Readers, and the Chanson in 16th-c. Europe (Oxford and New York, 2015), Music, Discipline, and Arms in Early Modern France (Chicago, 2005), and articles in Renaissance Quarterly and Early Music History. D. in Musicology from Columbia University in 1984. Composer-pianist-scholar Vijay Iyer was named JazzTimes’s 2017 Pianist of the Year, DownBeat Magazine's Artist of the Year for 2016, 2015, and 2012, a 2016 United States Artists Fellow, a 2013 MacArthur Fellow, and a 2012 Doris Duke Performing Artist. Friendship Commission. Dr. Bick is an Academic Advisor for Music students. While at the University of Chicago, he also earned a Master of Divinity from the university’s Divinity School. He finished a DEA (master in musicology) at the Parisian Sorbonne and completed his PhD in Composition with Professor Dr. Jonty Harrison at the University of Birmingham in UK in 2003. In 2011, he conducted the Boston premiere of John Adamsâs Pulitzer Prizeâwinning On the Transmigration of Souls with the composer present. 70 Arts Circle Drive, Evanston, IL 60208-2405. Shreffler has also written about the music and thought of Elliott Carter, including Elliott Carter: A Centennial Portrait in Letters and Documents (The Boydell Press, 2008), co-authored with Felix Meyer. Rehding is interested in how music theory has engaged the question of sound. Among her recent distinctions are a Senior Fellowship at the Stanford Humanities Center (2017-18) and a Medal of Honor from the city of Tours, France (2016). Promoted to a full professorship in 2006 and named Fanny Peabody Professor of Music in 2009, Rehding served as department chair between 2011 and 2014. Wolf is currently preparing a monograph and an ethnographic film concerning music, language, and moral being among the Wakhi people of adjacent parts of Tajikistan, Afghanistan, Pakistan and western China. Ethnomusicology Professor Hastyâs scholarly work engages problems in the theory and analysis of music from the 16th to the 20th centuries from the standpoint of process and experience. Visiting Faculty She has been elected Vice President of the American Musicological Society and will serve 2014-16. At Harvard, Clark teaches courses primarily in music theory, but also in historical musicology. In 2015-17 Rehding co-chaired of the committee that designed a new curriculum for the music concentration. Ample archives of accolades and commentary relating to esperanza’s previous works may be found through an internet search. Chase joined the Harvard faculty in July, 2017. He received his PhD from Washington University in St. Louis. Director, School of Music. He has served as Director of The Banff Centre’s International Workshop in Jazz and Creative Music since 2013. Elizabeth Keller-Tripp, Artistic Administrator, Laura Buch She is a member of Harvard's Standing Committee on the Graduate Program in American Studies, the Standing Committee for Theater, Dance, and Media, and the Steering Committee of the Charles Warren Center for American History. If approved, the candidate is then recommended for the degree of Doctor of Musical Arts, which is conferred at the close of said academic year. George Washinton University (fall 2020). Her articles have appeared inÂ Critical Inquiry, Ethnomusicology,Â Journal of the American Musicological Society, and many other venues.Â Monson has been awarded many honors including book awards from the Society for American Music and the International Association for the Study of Popular Music, a Guggenheim Fellowship, a Radcliffe Institute Fellowship, and a Stanford Humanities Center fellowship. Steward is currently adjunct faculty at the University of Mary Washington, teaching musicology, ethnomusicology, and piano courses. At Yale, students selected from all parts of the world are brought together to study with a distinguished faculty. His writings have appeared in Journal of Consciousness Studies, Wire, Music Perception, JazzTimes, Journal of the Society for American Music, Critical Studies in Improvisation, and in the anthologies Arcana IV, Sound Unbound, Uptown Conversation, The Best Writing on Mathematics: 2010, and The Oxford Handbook of Critical Improvisation Studies. "Thunder from a Clear Sky: On Lessing’s Redemption of Horace,"Â Modern Language Quarterly62:3 (2001), 203 â 18. With his colleague Suzannah Clark, Rehding co-edited a volume on Music Theory and Natural Order (2001, pbk 2003), which explores this nexus across history. The advisory board for music students Uruguayan avant-garde music, he is the Burr... 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